Showing posts with label dobra tea. Show all posts
Showing posts with label dobra tea. Show all posts

Thursday, June 28, 2012

Fragments: Steeped & Brewed

Mixed-media assemblage piece.
Four Corners                                         2010

Holy cow! The press release for my show at Dobra Tea got posted on Maine Today.

So excited to be part of the very popular First Friday Art Walk on July 6th. These folks really have it together. From their site, you can download a map of all 30+ locations with listings of what is showing at each.

The tearoom is just lovely with a great staff. Really looking forward to seeing some old friends and making some new ones.

This piece, Four Corners, is currently hung in the rear window at Dobra. Comprised of all sorts of things besides glass--shell, stone, pewter buttons, marbles, wood and lead--found itself quickly and kind of magically!

It was made in the backyard of 77 Lime Street in Newburyport, MA in late summer 2010. In attendance was what had become my pet dragonfly who visited every single day for several hours. In my life, 2010 was a year besieged by dragonflies, but more about that in another post! Stop by Dobra Tea if you're in Portland...


Monday, June 25, 2012

Imaginal Cells

Abstract mixed-media assemblage.
Imaginal Cells                            2012
Every creative person needs inspiration. Recently, this arrived in three separate doses. First, my friend Lee Wolf---proprietor of The Lobster Shanty in Salem, MA (yum). gave me a bucket full of flat glass that had been collecting dust in his basement for years. He was glad to get rid of it and I was thrilled!

Next, I traveled to Maine to install 11 pieces of work at Dobra Tea in the Old Port in Portland. Closed for the day, the staff of the tearoom were busy cleaning everything from top to bottom and rearranging furniture. During six hours of hanging my art, I was intrigued with the interplay between the simple beauty of the "tea culture" and the bohemian feel of the tearoom itself in this beautiful old Victorian commercial building --complete with all sorts of events-- music, tarot readings, cribbage and a knitting group, to name a few. The staff is fabulous, the culinary offerings wonderful and my art feels like it was born to be there.

Upon returning home, I was prompted to make a new piece, using some of some of Lee's discards along with other materials. It reflects the two distinct feelings of being in the tearoom for the day.

A few days later, here it is. But what to call it? And here's the third inspiration: While visiting a friend at Ye Olde Forte Cabins in Pemaquid, ME, I was given a most beautiful gift--the WE'MOON 2012 calendar, entitled CHRYSALIS from Mother Tongue Ink. It was suggested that I enter some of my work to be included in their 2014 calendar called RADICAL BALANCE. On page 74 is a written piece called "Spring Equinox" by Frodo Okulam, who writes:
     "Recently, I learned that caterpillars have something called 'imaginal cells'--cells that able to imagine becoming a butterfly. In the Chrysalis, the imaginal cells come to life and transform the caterpiller into a bright being of wings and flight.
      At Spring Equinox, 2012, the Chrysalis of the world begins to break open a new age. Each of us who listens to the Earth and all her creatures, celebrates the Goddess, or imagines a new society free from patriarchy and power-over, is an imaginal cell of the transformed world."
So, Imaginal Cells it is: 8" x 10" -- made from Lee's flat glass, blown glass, marbles, copper wire and sea glass and shell from Maine-- it is bursting with hope.